During the early part of my career as an architectural photographer I was lucky enough to be asked to do the photography for both the 1066: English Romanesque Art exhibition at the Hayward Gallery in 1984 and the Age of Chivalry: Art in Plantagenet England 1200-1400 exhibition at the Royal Academy in 1987-88. This sparked a life-long interest in medieval art and architecture.

As part of my research before setting out to visit and photograph a new (to me) church, one of the websites I would always visit was paintedchurch.org, Medieval Wall Painting in the English Parish Church, a labour of love put together by Anne Marshall over a period of some 18 years. It featured detailed academic articles on several themes of medieval wall painting as well as articles on hundreds of individual paintings in hundreds of parish churches. I was very disappointed when it disappeared from the internet in 2018.

The Watts Gallery, Artists’ Village and Chapel lies on the edge of the village of Compton, just a couple of miles outside Guildford. The gallery is a celebration of the work of George Frederick Watts and his wife Mary. They married when he was 69 and she just 36. They moved to their house in Compton in 1891.

In 1895 Mary started teaching local people to model in clay and established a pottery business which became the Compton Potters’ Arts Guild. Between 1895 and 1904 Mary and the villagers worked on building the Watts Chapel. The chapel is a strange mix of Art Nouveau, Celtic revival and Romanesque. The exterior of the chapel is decorated with terracotta reliefs while the interior is a riot of painted stucco decoration. George Watts lived just long enough to see the chapel completed.

On private land just to the south of Hawk’s Tor on Bodmin Moor stands the Stripple Stones, the only stone circle in Cornwall to be in a henge (a bank and ditch). The circle dates to the late neolithic (2800-2000bce) and is about 45m in diameter. Originally there were thought to have been between 28 and 37 stones of which 15 remain. Some of these had fallen, but most were re-erected during a recent restoration.

At some time in the past the circle had been cut through by a boundary wall. This wall was moved outside of the monument as part of the restoration.

Last month I added a three panorama tour of St Cuby’s Church, Duloe.

The church was built between the 13th and 15th centuries and the north aisle added in the 16th. It was restored in 1860 by J P St Aubyn. The Coleshull chantry chapel has some fine examples of 15th and 16th century slate tomb memorials.

While I was there I also photographed and made a panorama of the Duloe Stone Circle.

On a recent trip to Paris I took the opportunity to revisit the Sainte-Chapelle. My previous visit had been during the restoration of the stained glass windows, half of which had been covered in scaffolding.

Sainte-Chapelle was built in the Rayonnant Gothic style between 1242 and 1248 on the the Île de la Cité in Paris to house Louis IX’s collection of relics of the Passion of Christ. The upper chapel is adorned with a unique collection of fifteen windows, each one 15 metres high, and a large rose window (which was added about 150 years later) forming a cage of glass, two-thirds of which is original. The windows depict over 1,100 scenes from the bible.